Friday, October 26, 2012

94% Diana Vreeland: The Eye Has To Travel

All Critics (53) | Top Critics (22) | Fresh (50) | Rotten (3)

For fashionphiles and pop culture vultures, there's much to devour.

Diana Vreeland is both history lesson and sentimental love letter to a fashion titan.

Legendary fashion editor Diana Vreeland was the consummate dreamer, a romantic who never looked back and propelled society forward.

A feast for fashion-history buffs and anyone who applauds unstoppable eccentricity.

The late, legendary fashion editor comes alive in "Diana Vreeland: The Eye Has to Travel," an awkwardly titled but engaging documentary.

A highly entertaining and colorful portrait of a unique woman.

The filmmakers have done a fine job corralling so many fantastic tales from Vreeland's life.

"Diana Vreeland: The Eye Has to Travel" is an intriguing portrait of a true original; you only wish the movie had half the color and verve of its subject.

A lively movie, and in the case of its appearance-obsessed subject, it feels right that all it does is skim the surface.

[Vreeland's] influence on twentieth-century culture was large, and it's celebrated here with affection, dedication and skill--but very little critical detachment.

Though unwilling to dig too deeply into what seems an imperfect private life, it still serves as a splendid introduction to a unique personality.

A poignant portrait of an inveterate iconoclast who couldn't help but push the envelope.

[A] warm portrait of the world's first true fashion maven.

It can be hard to keep up at points -- not with the plot, but with the amount of inspiration that Diana can still strew over an audience.

As a biographical documentary, Diana Vreeland: The Eye Has To Travel is complete and satisfying. As a leading character, Mrs. Vreeland is entirely entertaining.

Vreeland's attention to detail, her love of new and exciting images, her devotion to and ability to identify, that ethereal thing called style, come across loudly and clearly.

With her lacquered black hair and Kabuki-like face, one-time 'ugly duckling' Vreeland was her own work of art and, as the film reminds us, she was one of the most important and amusing self-made works of art of her century.

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Source: http://www.rottentomatoes.com/m/diana_vreeland_the_eye_has_to_travel_2012/

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